Courses
History of the Silverware
History of the Italian Silverware
between the XVII and the XIX centuries
History of the European between
the XVII and the XIX centuries
The Silverware History in America
and in the other European schools
History of the Roman Silveware
History of the French and English
Silverware between the XVII and the XIX century (part
I)
French Silverware: notes about
the styles
French Silverware: the most
representative artists
Notes on French punches
History of the French and English
Silverware between the XVII and the XIX century (part
II)
English Silverware: notes about
the styles
English Silverware: the most
representative artists
Old Sheffield
Notes on English punches
History of designer
A practical drawing course and
an introduction to the Goldsmith and the Silversmith styles
The Horology from the beginning
to the current times
Numismatics
Introduction to the heraldic
grammar
Introduction to Gemmology
Gemmology I°: coloured gems
Definition of gem – estimation
criteria
Problems on gems
The Corindone: physical, chemical
and mineralogical characteristics
Nomenclature – major layers
The Corindone: Imitations Synthesis
Processings
The Beryl: physical, chemical
and mineralogical characteristics
The Beryl: Imitations Synthesis
Processings
More coloured gems of minor
use
Orti Lamiani Precious Gems
Gem Problems in Archeology
Gemmology II°: Diamonds
– Organic Stones and Gems
Definition of diamond –
estimation criteria
Problems on gems
Physical, chemical and mineralogical
characteristics -Nomenclature
Imitations Synthesis Processings
– The Cut
Modern methods of scientific
research. Laboratory notes
The Pearl I
The Pearl II – More organic
gems
Technical Gemmology –
The Diamond
Technical Gemmology –
The Coloured Gems
Technical Gemmology –
The Pearl and the Corals
History of Goldsmith
Jewels in the European culture
from the Middle Age to the Renaissance
Power, astrologic and symbolic
meaning of gems in the humanistic culture and in the folk
believes
The retrieval of the ancient
gems
The craft organization
The social and economical position
The sacred and secular goldsmith
in the renaissance culture
Sumptuary lows in the ‘400
Florence. Links to the personal ornaments
Gold through the History via
the great civilizations
The jewel and its history: the
ear ring, the necklace, the bracelet, the ring and the
c.php
History of Jewel
History of the contemporary
jewel
General Outline and Changes
in 40s and 50s Jewellery
The major jewelry maisons
History of the contemporary
jewel
Birth and growth of the Art
Nouveau – The Nouveau Jewellery
The artistic avant guardes and
the “Style 1925” – The Déco Art
Post-Déco The floral
and the animal-like style in the 40s and 50s jewellery
Expressionism, Abstractionism,
Geometrism and Minimalism
History of the Etruscan Jewellery
Historical introduction: the
Iron Age IX and IIIX centuries b.C.
Archaism VI century b.C.
The Classic Age and the Hellenism
V and IV centuries b.C.
Università
degli Orefici Via S. Eligio, 7 - 00186 - Roma - Tel . 06-6868260- Fax 06-6868260 - E-mail : info@universitadegliorefici.it
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